Mohammed wrote:Is it possibile to have different lfo settings per zone in 1 keygroup??
In edit you can select the zone,, but all edits being made there affects every zone, and not just the one youve selected.
Can anyone help me out here?
Zone Select

Using zones
In the preceding pages, we created a program by assigning a sample only to zone 1 of a key group/note number.
However, the programs of the MPC4000 actually allow you to use four zones for each key group/note
number.
This section explains how you can assign a sample to zone 2 of each key group/note number, and use velocity
to switch between zones 1 and 2.
1. Record the samples that you want to assign to zone 2. (You can either record new samples into
memory, or load them from a storage device.)
For details on how to record or load samples, refer to chapter 8.
2. In the Key Group Mix page, Pitch page, or Edit 1/2 page, press the [F6] key (ZONE).
The Zone page will appear. In this page you can assign samples to zones 1–4 and edit parameters for each
zone.
Note: In order to use LFO1, you must set the modulation source, modulation destination, and modulation depth
in the Program Modulation popup window. Be aware that simply editing the settings of the LFO1 block parameters
will not produce an effect.
Note: The Depth field of the LFO1 block corresponds to the LFO1 output level, and the Depth field of the Program
Modulation popup window corresponds to the sensitivity of the modulation destination. This means that if the
Depth field is set to zero for either of these, LFO1 will not produce any effect.
Chapter 9—Creating and editing programs
90
A Note/Kg field: Selects the key group/note
number that you will edit.
B Edit field: Selects the editing method for the
key group.
C Zone field: Indicates the zone numbers.
D Sample field: Selects the sample that will be
assigned to each zone.
E Level field: Specifies a relative adjustment to the level of each zone.
F Pan field: Specifies a relative adjustment to the pan of each zone when stereo playback is used.
G Out field: Specifies the output destination of each zone. If you select MULTI, the settings of the multi
will be used.
H Range field: Specifies the note range of each zone when you use a specific modulation source to switch
the zone that will sound.
I X-fade curve field: Selects the curve of change that will be used when crossfading between zones is
turned on.
J Zone X-fade field: Specifies whether crossfading between zones will occur when you change zones.
K Tune field: Specifies a relative adjustment to the tuning of each zone.
L Pitch field: Specifies whether the pitch of the sample assigned to each zone will rise or fall according
to the keyboard position (TRACK) or will be the same pitch regardless of the note you play (CONS).
M Play mode field: Selects one of the following playback methods for the sample assigned to each zone.
ONE SHOT: The sample will play from the start point to the end point when you press the key once.
NO LOOP: The sample will play from the start point to the end point without looping. If you release
the pad (key) during this time, the playback will stop at that point.
LOOP: When you press the pad (key), the sample will begin playing from the start point, and will continue
looping as long as you hold down the pad (key). When you release the pad (key), the sample will
play to the end point and then stop.
NOTE OFF: The sample will play in one-shot mode when a note-off message is received.
N Filter field: Specifies a relative adjustment to the filter cutoff of each zone.
O Start field: Specifies a relative adjustment to the start point for the sample of each zone.
3. Move the cursor to the Note/Kg field, and select the key group/note number to which you want
to add a sample.
4. Move the cursor to the Sample field of zone 2, and select a sample.
This will assign a sample to zone 2. The settings of the Key Group Mix, Pitch, and Edit 1/2 pages are common
to all zones, so you do not need to make them again.
5. If necessary, edit the other parameters in the Zone page to make fine adjustments to the level,
pan, and filter offset for each zone.
6. In the same way, assign a new sample to zone 2 of the other key groups/note numbers.
7. When you have finished assigning all the desired samples, move the cursor to the Range field of
zone 1, and set the value to 000–063.
8. Move the cursor to the Range field of zone 2, and set the value to 064–127.
Note: The sample that you select in the Key Group Mix page will always be assigned to zone 1 of the corresponding
key group/pad number. You must use this field to assign samples to zones 2–4.
Note: Remember that the values of the fields in the Zone page (except for Output, Range, Pitch, Play mode) are
relative adjustments. The values common to the entire key group/pad number can be edited in the Key Group
Mix, Pitch, and Edit 1/2 pages.
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K L M N O J
Other settings
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9. Leave the cursor at the Range field, and press the [WINDOW] key.
The Program Modulation popup window will appear.
10. Move the cursor to an empty Source field, and select VELOCITY as the modulation source.
11. Move the cursor to the Destination field at the right, and select ZONE SELECT as the modulation
destination.
12. Move the cursor to the Depth field, and set the value to 100.
13. Press the [WINDOW] key.
You will return to the Zone page. Now you can use velocity to switch between zones for all key groups/pad
numbers. Make fine adjustments to the Range field while striking the pads or playing your MIDI keyboard