Discuss the various methods you use in music production, from compressor settings to equipment type.
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By EarlGreenMusic Wed Jan 21, 2009 6:36 pm
i seem to be spending hours finding samples making floppy disk and trying to figure out how am i ever gonna record an actual song written on CD that im not spending as much time making tunes as i would like. how do you use your mpc? what programs are you using? how do you record?

Thanks
Earl Green
www.myspace.com/earlgreenmusic
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By Nico-Vidal Wed Jan 21, 2009 7:47 pm
Alright bro listen, you may be opening up a can for asking that kinda question on here :lol: But all I can suggest is some time management. If your busy during the week, set aside a day just to listen to Cd and records and sample what jumps out at you. Then a day to focus on making different drum tracks.

Sometimes it's best to get the tools together first, THEN sit down when your world slows down and piece it all together later. I personaly do it all in one sitting late in the am when no one can really interupt me. I do demo work for local groups and I'm a fulltime family man and 40+ hrs a week on the job. You have to do you when you can.

AFA workflow, depends on the track how I put it together. Easiest IMHO is : sample drum loop,chop it,track out drums, sample or play bassline,track it, play pads, background strings and fills, copy sequence a few times do edits to each/mutes to each Go in song mode and you got your basic track done...BONG BONG!
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By deck daddy Thu Jan 22, 2009 1:24 pm
EarlGreenMusic wrote:how do you use your mpc?


I sample everything from vinyl through my MFC42 filter, and then trim and chop all samples. Next is setting them up adding some tuning + envelopes and such, and then I get down with the sequencing. I usually finish how I want the main samples/"musical loop" first before I add any drums. Then it's bass, drums and percussion, and some playing around on the Rhodes or synth, and if I come up with something, I sample it into the MPC. I can't start with drums unless I want to play everything myself or have really chopped up sounds that can be played. I have to get the feel of the sample, and what parts I want to express, trying to get it to sound cohesive, like it's a "band playing together" and not just a random drum machine on top of some samples. Not easy, not always success, but I try. Then it's some final mixing of the levels, but I usually mix while I create, I can't work with too crazy volumes on the stuff.

EarlGreenMusic wrote:what programs are you using?


Like in computer programs?
I don't use that at all in my beat making. I get everything down in the MPC. I use garageband or Reaper when I record and mix raps on my beats tho'.

EarlGreenMusic wrote:how do you record?


I record the stereo output dry or through my stereo tube compressor into either my Digital Tascam recorder or my MacBook.

That's my workflow, best to me. You want the best workflow? THE ONE THAT WORKS BEST FOR YOU! Experiment, try different things, you'll probably come up with your own way of doing thins, and you may be inspired to switch it up every now and then, watching how others do it (in this thread and such).
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By deck daddy Thu Jan 22, 2009 1:29 pm
deck daddy wrote:
EarlGreenMusic wrote:how do you use your mpc?


I sample everything from vinyl through my MFC42 filter, and then trim and chop all samples. Next is setting them up adding some tuning + envelopes and such, and then I get down with the sequencing. I usually finish how I want the main samples/"musical loop" first before I add any drums. Then it's bass, drums and percussion, and some playing around on the Rhodes or synth, and if I come up with something, I sample it into the MPC. I can't start with drums unless I want to play everything myself or have really chopped up sounds that can be played. I have to get the feel of the sample, and what parts I want to express, trying to get it to sound cohesive, like it's a "band playing together" and not just a random drum machine on top of some samples. Not easy, not always success, but I try. Then it's some final mixing of the levels, but I usually mix while I create, I can't work with too crazy volumes on the stuff.

EarlGreenMusic wrote:what programs are you using?


Like in computer programs?
I don't use that at all in my beat making. I get everything down in the MPC. I use garageband or Reaper when I record and mix raps on my beats tho'.

EarlGreenMusic wrote:how do you record?


I record the stereo output dry or through my stereo tube compressor into either my Digital Tascam recorder or my MacBook.

That's my workflow, best to me. You want the best workflow? THE BEST ONE IS WHATEVER WORKS BEST FOR YOU! Experiment, try different things, you'll probably come up with your own way of doing thins, and you may be inspired to switch it up every now and then, watching how others do it (in this thread and such).
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By W. Steele Thu Jan 22, 2009 4:22 pm
Before you do any of the stuff anyone else is talking about get a SCSI zip drive or card reader 1st . That will make your life a 100x's easier . Floppies are a pain and extremely limiting (plus they load slow as hell) .
By JayP Fri Jan 23, 2009 5:52 pm
I agree with the last reply, GET A SCSI ZIP! I found one at the goodwill for $6 with everything I needed. You can load 100MB of samples at a time!

Second, download the MPCEditor and create .PGM files for an easy way of loading a bank set of sounds.
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By Fung45 Tue Jan 27, 2009 8:11 pm
Some people rock floppies (Damu) and manage. You need to make your samples real small, record them sped up, trim the excess, sample mono? I dunno all the tricks but it can be done. I use a zip 100 works good I keep a number of beats on each disc, or a whole bunch of sample sessions.