By inthemix
Sun Dec 07, 2008 9:29 pm
Sup, JHood ....
Someone else on this thread wrote :
"MPD gives u the possibility to program in mpc style. But that's all. No warm analogue sounding 16 bit sampling ('but we can sound it like that with software FX and plugins', F&*k that), no everything in 1 box feel (the all in 1 box is responsible for a fast and comfortable workflow on a mp)."
Listen, brotha, this statement is largely BS !! I made the massive mistake of buying the MPD32 about three months ago and it is about to form part of an exchange for an MPC shortly.
The MPD offers a whole host of problems once you have it, from not syncing with your software properly through to having the most appealing functions, such as Note Repeat and Tap Tempo Buttons, completely non-functioning in any workable way. I use d my Mpd32 with Cubase SX3 and it did not like the arrangement at all ! Forget all the present templates on the MPD32 - they don't do sh.tte, literally ... you still need to go global and edit the arse out of everything to get so much as half of the functions set up. Then, after such tedious hard work, you sadly discover that the timing on the unit is next to useless, with the responsiveness of the pads triggering somewhat sluggishly and not immediate to your tap/strike.
Just avoid any of these Akai drum controllers like the plague, man ... and save yourself some money.
One of the other poster said it right when he stated that with a proper MPC, you can use it in the studio, with your daw and out on the road ... and it doesn't depend on a whole host of syncing and internal setting up headaches that you get with the MPD's ....
Listen most that comment on the MPDs here have no damn experience of the things and just regurgetate the sales speel on them that they have read somewhere. Don't listen to their crap .... just don't do it !!
Get yourself a 500 or 1000 and enjoy yourself properly.
Someone else on this thread wrote :
"MPD gives u the possibility to program in mpc style. But that's all. No warm analogue sounding 16 bit sampling ('but we can sound it like that with software FX and plugins', F&*k that), no everything in 1 box feel (the all in 1 box is responsible for a fast and comfortable workflow on a mp)."
Listen, brotha, this statement is largely BS !! I made the massive mistake of buying the MPD32 about three months ago and it is about to form part of an exchange for an MPC shortly.
The MPD offers a whole host of problems once you have it, from not syncing with your software properly through to having the most appealing functions, such as Note Repeat and Tap Tempo Buttons, completely non-functioning in any workable way. I use d my Mpd32 with Cubase SX3 and it did not like the arrangement at all ! Forget all the present templates on the MPD32 - they don't do sh.tte, literally ... you still need to go global and edit the arse out of everything to get so much as half of the functions set up. Then, after such tedious hard work, you sadly discover that the timing on the unit is next to useless, with the responsiveness of the pads triggering somewhat sluggishly and not immediate to your tap/strike.
Just avoid any of these Akai drum controllers like the plague, man ... and save yourself some money.
One of the other poster said it right when he stated that with a proper MPC, you can use it in the studio, with your daw and out on the road ... and it doesn't depend on a whole host of syncing and internal setting up headaches that you get with the MPD's ....
Listen most that comment on the MPDs here have no damn experience of the things and just regurgetate the sales speel on them that they have read somewhere. Don't listen to their crap .... just don't do it !!
Get yourself a 500 or 1000 and enjoy yourself properly.
Give a little more, expect a little less ... but always put number 1 first !
Live life and do your best to make it fit around you in a loving and productive way ....
Live life and do your best to make it fit around you in a loving and productive way ....


