Askia Shaheed wrote:Umm...I thought this was about Maschine versus an MPC? And not about why I would purchase Maschine. I can't recall every saying a pro-hardware or pro-software. I do recall saying that I use an MPC with software instruments (Reason, Battery, Kontakt, Giga Studio, Mach Five, Nuendo, Logic, etc. etc) the same was numerous producers do...which is the reason why I never use an MPC for multisampled instrument patches. Nearly all my audio is mostly in the box with the MPC as the sequencer. But I do use the MPC to chop samples to later import or record them into a DAW.
While you may disagree..specs is and will always be important. You do recall the numerous threads where people are upset that the latest MPCs didn't have 24 bit sampling (specs) and didn't have 512 MB to 1 GB of memory (specs). I intend to post an MPC versus Maschine thread where terminology and specs are compared backed up with how they perform in various situations.
No need to download a demo which would be counterproductive without the hardware. The software alone isn't impressive. The combination of the hardware and software is where its potential lies.
From all the threads and feedback around here...forum members what to know the skinny on Maschine and how it performs compared to an MPC. Since nobody is trying to do this, I have stepped up..spent $600 and will do it for the community. People want to know the truth and not a sales pitch. If NI is going to support this product in the future, now is the chance for MPC users to make their desires known in order to have a better product. I will address this as well.
People can see from many productive threads till you step in with classic Jah misinformation. You spent 600 cuz you didn`t check around not for any community and that would be silly anyway. Now you are accusing whoever buys Maschine or uses it as a sales pitch and you yourself bought one, Hello!! Anyone can make own their desires known at Native Instruments Forum were it is made. Classic Jah will more shenagains and I haven`t seen you at Maschine forums once.
It is still backward in my opinion for a star trek hardware studio like you buying a one midi out controller to be a MPC-Killer you claim for when you entered the thread. It is not a mpc killer get that out of your system period in the hardware sense.
But in a virtual studio it is priceless and goes beyond a regular mpc any in my opinion for working with software. You claim to have Kontakt, Battery, and other software among with the Fantoms and Korgs sequencing with your 5k.
This is simple for a so called MPC expert yeah I see you BSing in the 1.5 thread just I don`t want to get involve with your shenagins and I don`t really want to indulge you here.
But check it your words, "I can't recall every saying a pro-hardware or pro-software. I do recall saying that I use an MPC with software instruments (Reason, Battery, Kontakt, Giga Studio, Mach Five, Nuendo, Logic, etc. etc) the same was numerous producers do...which is the reason why I never use an MPC for multisampled instrument patches. Nearly all my audio is mostly in the box with the MPC as the sequencer. But I do use the MPC to chop samples to later import or record them into a DAW. quote Aksia" ........Hmmn first all audio in the sequencer the fathom too wow!!! Then you chop all samples in the mpc to import or record into a DAW. Well good for you which is exactly what I said I wanted to get away from and with maschine I don`t have to do. By the way how to you control Reason and Battery as the 5k doesn`t send midi out by qlinks hmmn?
So I repeat what I already post before
To me tracking means preamplifiers especially to get the best levels and high quality recordings. I use a Digidesign 002 rack which gives me 4 preamps to work with along with the other 4 analog inputs, sdip and RCA inputs. I record through 1-4 digi002 preamps track by track to print the best signal as I don't have a digital outs install which would be another 300 to 500 bucks option. I don't think 1k has a digital outs option. Anyways quality preamps give you the best recordings I wanted and planned to get an ensemble by Appogee as all 8 inputs have a preamp and the core audio driver is more stable than Pro tools at a cost of a thousand bucks and more.
My point is by going virtual all of your recording and tracking is inside the box, no need for hifi preamps, track all sounds at once, and no degradion of sound. This is from a modest home studio hardware point of view. Of course to my eyes and ears if I tracked in pro studio I would have no worries with premium preamps, boards, cables and a hellva recording engineer to do it right. Or if I had the budget I buy the extra preamps along with the effects gears to get great recordings too.
But virtual instruments save money, sound and time for my home setup and like I said before of gathering sounds, importing them, and making kits on the mpc. It is easier and faster.
Sorry for the long post just clear the air as why I want to track inside the computer. If in way recording at Sony Studio no problem with an MPC I carry the thing were engineer hooks all the outs to a SSl or Neve board and start leveling and tracking. Maschine I would need to bring a laptop and soundcard and run it.
On the other hand in a home studio, I can try to get the best sound I can with a good DAW of choice mine happen to be Logic Studio and virtual instruments.
It's up to the individual wearing many hats composer, recorder, arranger, mixer abd mastering engineer how they wish to do each step of the process. Any mpc 60 - 5k can do it but how you record is up to you. I think virtual in my home studio is good.
Maschine operates as a virtual sampling drum sequencer. Up til now the market just been about software samplers operating within DAW sequencer which some it great and some takes some getting use too. I always prefer mpc hardware sequncers as the layout, feel, and the workflow was easier and user friendlly than say Logic or Ableton with a pad controller. Maschine has a hardware sequencer workflow, feel and layout just like a hardware sequencer. But the ease, space and sounds of a software sampler. It sounds good, feels good, and flows well unlike any other computer based program I used before and it is familiar like a mpc to boot.