For discussion about setting up your studio and advice on the gear and equipment within it.
By ntalec Sat Aug 21, 2010 2:15 am
Still wondering why the 8 wasn't too loud?
Were they a new unused pair?
By any chance were you using the RCA connectors instead of XLR?
By deegood Sat Aug 21, 2010 2:52 am
ntalec wrote:Still wondering why the 8 wasn't too loud?
Were they a new unused pair?
By any chance were you using the RCA connectors instead of XLR?

one was new the other was a display model. I shouldn't have went for that anyway! was eager to get em home! I use a xlr to trs cable. the 8 was loud when turned allll the way up-maybe the mbox2 mini?the hs80 didn't require that
By ntalec Sat Aug 21, 2010 11:10 am
Still seems strange.
It's been my experience whenever using RP8G2's with the XLR inputs they are loud.
If your cables are wired correct and the right ones for the way you are connecting they should have been plenty loud.
KRK says the default Input Sensitivity is +6 (not 0 ) and you turn them down if they are too loud.
They are attenuators not gain.
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By FMajor Sat Aug 21, 2010 1:50 pm
Not sure what the issue was with the Loudness there.....I use both the Yamaha HS50 and the RP8s, Having the two provides really good balance for me, compared to when I only used the Yamaha's. My RP8s are very loud if I push them.
By deegood Sat Aug 21, 2010 11:06 pm
got the rp6 and sub going now. think i'm cool with this set up-I did listen to the vxt 6 and was impressed!!!!!!
By ntalec Sun Aug 22, 2010 11:57 am
2 suggestions;
-Since you got the sub, take the time to set it up with their described procedure using a test tone and check for phase issues from placement.

-Also get yourself a latching footswitch so you can use them like 2 sets of monitors.
By inthemix Sun Aug 22, 2010 1:15 pm
Been using the Dynaudio BM15s for over three years - love em ( Still have my old Fostex PMs and a set of standard Yamaha's ( NS10s ) for cross-reference.

The BM's are quite frankly beautiful ... At the time I was looking at Genelecs and PMIs - along with two other expensive German makes. However, I was advised to check out the BMs by a friend whom happend to also know a studio guy who was closing up shop ( let's just say that I got em for half of what I could easily sell them for tomorrow ! ).

The stereo imaging is on par with anything that I have heard from Genelecs ( which I rate very highly ), not forward sounding in any way, real weight but without muddying the top end of mids in any way. I think these should be close to the top of the list for any semi-pro/pro producer, truly.
By deegood Sun Aug 22, 2010 1:59 pm
ntalec wrote:2 suggestions;
-Since you got the sub, take the time to set it up with their described procedure using a test tone and check for phase issues from placement.

-Also get yourself a latching footswitch so you can use them like 2 sets of monitors.

I have the sub under my desk. should it be out in the open? i'm in an untreated basement.any treatment suggestions?
By ntalec Sun Aug 22, 2010 5:51 pm
inthemix wrote:Been using the Dynaudio BM15s for over three years - love em


BIG difference between the BM15's and either the BM5 or BM6's, the sound isn't even close.
By ntalec Sun Aug 22, 2010 6:13 pm
deegood wrote: I have the sub under my desk. should it be out in the open? i'm in an untreated basement.any treatment suggestions?


It's not really about a sub being in the open it's about not putting it where it causes direct vibrations in things and making sure where you place it doesn't cause phase cancellation.

A sub in an untreated basement might be a bit to deal with since you are dealing with:
a) the strange charactreristics of the basement
b) the reflections and build up of an untreated room
c) the aggressive nature of a sub

I would say treating your room or creating a room within a room should be your next endeavor.
At a minimal you should evaluate the room to determine what your Room Modes are so you can begin to address them.
By inthemix Sun Aug 22, 2010 8:33 pm
Yes, nta, very true ... they are in a different league ( although the 6's are a nice sounding set also ). The first time I ran one of my funk track's through the 15s, the room literally shook and I was blown away by the utter clarity and focus of the sound - and the levels are out of sight, if you are in a position to push them.
By deegood Sun Aug 22, 2010 11:15 pm
ntalec wrote:
I would say treating your room or creating a room within a room should be your next endeavor.
At a minimal you should evaluate the room to determine what your Room Modes are so you can begin to address them.

yea i do wanna redo the studio with a better control room. my booth is pretty good. this rp6 +sub combo is kinda decent so far. the dyns will come later