yeah this is way cool hey, but am still not making the most of it either.
You can not use pad to pattern in grid edit mode which is kinda a shame really.
In the main screen grid edit you can record a pattern at any point, even when stopped. In fact when stopped is the best. So I will jam out some patterns and then note the way they are layered and redo it in a sequence by hitting stop record and hitting patterns at the time desired.
So this way you can jam layering patterns any way you want, and then if you want to keep one you can make it a sequence. Its more complicated, when you use multiple synths and multiple programs, but that just means you go to another track and use that for pattern layers.
This can do different bar lengths and also half bars as well, just you gotta make your track for the pattern first. So delete half a bar and paste it in for half bar loops ect.
When in the main screen in stop record mode in main screen it will step out the pattern for you to make next step if you want. Then you can play 3 bars over 4 bars for as long as you want but you have to figure out how long you want it.
So I use loop to jam, then turn it off to record sequences in step mode, as I usually am only doing 16 or 32 bars usually. That way I have fun and get to keep the ones I like, after a couple minutes by laying in the clips in stop record mode. Some times i get good ones from live jams, and have foot switch punch in and punch out so I can jam hitting pads and just move foot and i do not have to stop jamming to catch that idea. IMHO its what makes this so good as it keeps it very fluid and in seconds can jam out respectable sequences in different ways with out having to stop at all. This is also one of the driving forces behind me wanting the pad select by footswitch to CYCLE A>B>C>D>A>B>C>D>A>B>C>D>A>B>C>D each hit.
So that would mean I would have clips or patterns in this case, and can go between a bank of samples and a bank of midi messages and a bank of patterns in realtime and record with out stopping at all. MAD as IMO. would be seemingly small request but IMO it would be very beneficial to many users, if not all. As it stands it just goes to a bank then does not work. Not a good outcome and makes footswitch redundant after ONE use. If it cycled, that would allow 64 clips and you do not have to stop hitting pads to record or change banks. . Cue evil laughter,

. THat is why I want it so I can do above live and go mental. I can do it with sets as well, but I still think in 5 minute jam 16 patterns samples ect is not quite enough. So that is why i talk about footswitch, as it ties in with how i use patterns to jam and play. Live is kinda sucky how it does not take TC into account, as it does not seem to and it probably should to. specially as TC can be turned off so you have that option to go back to original spec as is now concerning the triggering of patterns on pads.
Even with complicated jams of multiple patterns I can get it pretty tight, but I have good timing. If its tricky then jam it out and remake it in stop record mode in another sequence and then jam over that.
SO yeah its good, better with footswitch to cycle bank select to open it up more, and TC recognition.
See I figure do all above, then make those resulting jams into more patterns. Kinda reminds me of old break beat producers and how they did the turn arounds like djing. killer. So get behind me and bump for TC of patterns and cycle the pad select by footswitch so we can all go mental jamming out patterns and record them.