Forum for all other samplers & synths such as Maschine, MVs, Akai S & Z series, Roland, Korg, OP-1, analog synths etc.
User avatar
By Funkydrops Tue Nov 26, 2013 1:13 pm
Wisely panning your DAW's channels and applying stereo imaging on the MASTER bus, via specific plug-ins or with a simple delay.

PEACE
User avatar
By Funkydrops Tue Nov 26, 2013 2:31 pm
I like my kick in mono super centered, sometimes use a stereo snare/clap "lock" (rarely) but always dead on 0. Could slightly pan hihats. But most normally my drums will be mono/center. Also my bass doesn't move an inch on the sides. Pan everything else.
User avatar
By Lampdog Tue Nov 26, 2013 3:46 pm
KOVSHBEATS wrote:Do you pan drums or only samples/loops?

It depends on the song/beat and what you want your results to be.
FD above has good starting point advice. Sprinkle to taste with each sound after that.

I've used a small amount of stereo chorus effect to do this before also.
User avatar
By peterpiper Tue Nov 26, 2013 6:08 pm
I usually don't pan if it isn't really needed but If I want to make a stereo out of a monochannel I would copy the channel(track) in my DAW pan one hard left, the other hard right and then delay one of those (not much just 0,5 - 2 ms). by doin this, one signal reach the ear ealier giving a kind of "room vibe". This can be combined with a small amount of EQ on one of the two channels.

An ambience FX may also help.

peace
By sadzik Fri Nov 29, 2013 2:23 pm
as peterpiper said:
haas effect + eq each channel. Beware of phasing, always check your mix in mono mode.
If you later add reverb and delay u will get much better results imho.
User avatar
By Coz Fri Nov 29, 2013 3:44 pm
Panning brings a mix to life.

Check this out for some extreme vintage panning. :smoker:


By jimmie Wed Dec 11, 2013 12:37 pm
Aux sends and panning.

For pads I'll sometimes use a nice, fat analogue stereo chorus for lushness which I may also slightly send into into delays, reverbs, flangers, etc and maybe let one or two of them feed back slightly to get some nice harmonics going on.
Suck and see really... Mess about and play 4 urself.

Can also use gates; left one ducking, right one gating.
Use different compressors on left and right.
Send more high frequencies through the stereo delay and/or spring reverb maybe.

I like to pan my snare slightly to the left and then aux send to a delay which is panned more to the right. Makes your snare trill and snap across the stereo field nicely.
Nice and electro (old electro I mean).

Generally I just mess with the aux sends and panning in the mixer.
I do this on an outboard mixing desk but the same principle can be applied to the DAW mixer.

Watch out that your bass energy isn't skewed to one side though.

Experiment.