By droctii
Wed Sep 11, 2024 4:16 am
Does anyone know how to delete or edit locators in the Arranger?

Oscar South wrote:Had a weird bug today where I wasn’t able to save a project I was working on — anyone run into anything like this?
droctii wrote:Does anyone know how to delete or edit locators in the Arranger?
Logrinn wrote:jpeg wrote:what is the benefits of non standard time signatures?
First of all, what’s ”non standard” time signatures? Secondly, did any musician ever ask ”what is the benefits” regarding musical necessities? How else would you do the following?![]()
https://www.youtube.com/watch?v=HZ_wSX88s80?si=zNgmGfKIkhWPsIhQ
Elektrobolt wrote:One benefit is that all music doesn't sound the same. Another is waltz. Yet another, Personal Jesus, DM.
Many benefits.
jpeg wrote:
all the major musical styles can be made within 4/4

jpeg wrote:The odd signatures are seeminly for more arcane styles of music, like folk, waltz or other less popular ethnic styles.
But it does not really make the music sound different per se; as u will still sound lik every other waltz or ethnic peice of music regardless
MPC-Tutor wrote:Oscar South wrote:Had a weird bug today where I wasn’t able to save a project I was working on — anyone run into anything like this?
Had this once when trying to save to an sd card, seemed related to me ejecting a separate usb stick earlier in the session as once I reattached the USB stick the project saved fine (to the SD card). Unable to recreate it so far
IvoryBlack589 wrote:
Certain rhythms/grooves are just that way. I think a lot of people (myself included at times) think of progressive / complex music as the only music requiring them but it turns out plenty of great music all over the spectrum incorporates them in some way.
Correct me if I'm wrong somebody but I'd assume that the linear, timeline based approach to music making should theoretically be allowing more flexibility in this regard, not less. Probably makes this even more weird.

jpeg wrote:regarding the linear timeline of the arranger; the main reason people wanted this added to the MPC was to better handle the audio tracks being integrated into beats/songs, as audio tracks seemed rather cumbersome in MPC 2.15.
far as rhythms/grooves and progressive / complex music ; can you give some examples of music that is made with odd time signatures, be it jungle, drum n bass, house, techno, broken beat, hip hop or pop.
If you can provide some links to songs that are in non standard time signatures that would be a great reference, cos to my knowledge all the aforementioned genres can be comprised within the typical 4/4 structure.
Oscar South wrote:Had a weird bug today where I wasn’t able to save a project I was working on — anyone run into anything like this?
MPC-Tutor wrote:No, as I said this isn’t a topic to educate people in the use of time signatures in modern music, feel free to start a separate topic in the production skills forum if you need help with this.
jpeg wrote:anyone feel that the gain staging or sound engine is different in 3.0; as certain beats that had a lilttle bit of drive in 2.15 are massivly distorted in 3.0; even some beats that had no noticible distorition in 2.0 have lots of distortion in 3.0
