machinesworking wrote:Straker wrote:True, I forgot about the layers but I didn't know about slicing improved algorithms.
Slicing is always been good anyway.
But honestly, do you think that editing of samples is good enough, do you find it comfortable and advanced?
Yes, I'm comfortable editing samples in the MPC, I would love granular stuff, but we're not getting that until they bump the CPUs in the hardware and we buy new units, so I don't care that much.
I mean really the things I would like to see in the MPC are more like performance features. Things like mediocre MPE support and honestly a decent guitar amp sim, the ones it has are terrible.
Getting rid of the clips section and not replacing it with some sort of looping to tempo ability in regular drum and keygroups doesn't make sense to me, we should be able to loop a few samples in a Sequence.
What exactly are you looking for in the sampling section? because IMO the main improvement would be even more layers for realistic drum sets, but it's IMO kind of against the whole digital reality of the MPC to start in on that. Beyond that to me tempo looped samples is the main thing, and they have that in 2 so...
More manipulating features, better stretching features, better ways to sync the samples to bpm, there are many things that could be done with the good cpu we have.
And I also would love more granularity, there are some hardware granular synths where you can use your own samples, like Tasty Chip or something like that, and that would make a lot of sense in MpC.
Anyway, many things could be done to use samples in a creative way, focusing on sample as a starting point, I just think that Akai doesn't care so much about that, I am not complaining, I am just trying to be realistic.
There is nothing bad if Akai chooses to make Mpc a daw in a box but it's not for me, and I think that Mpc this way would be a missing opportunity, it could really be a great instrument more then just a daw in a box, and that was its starting point, an electronic performative instrument, with track mutes, qlinks, sequences, to be played live.