Hey Andreas,
wanna know what the price is all about?
It's because you can't go out and buy a SP-1300xl or the new USB capable SP-800.
People know that records are being made on all the MPC's so the thought is, one is just as good as the next or that the newer MPC's have more features for the price.
Could be worst when AKAI first stopped making Pro gear it was funny.
The entry level sampler was the S-950, in the next line the entry level was either the S01 or step up to the S-2000.
Don't really know what to expect from Akai right now since the 3 current MPC's all seem to be selling pretty good.
I'm that rare individual who would take a SP-1200 (or ASR-10) over the 60 any day.
It's funny I have been using SP's since the late 80's, the MPC's almost as long and dumped my (original purchased new S-950 ) as soon as the ASR-10 came out, but I always hated the EPS'.
So it's far from a I know one better than the other it's just what I like.
I am not talking about getting rid of any of them because they all work together to get the big picture accomplished.
It's just so ridiculous the sh*t you can do when you seq part of the drums on the 1200 and part on the 60 and have them locked up nice and tight.
The thing about the 60 drums would be that they sound big and hit you in the chest, but the SP drums kick you in the chest.
When I was a young teen (no license just sitting around the house making beats for the high school dances) my moms use to always complain about how the drums felt in her chest.
Hey she liked to look at the lights and meters dancing around.
Saddest thing about the 60's is that unless places like Forat and VST start offering rebuild options the next couple of years are going to get ugly for the older heavily used units.
D*mn all this typing, did I ever really say anything?
