By jbplaya
Sun May 01, 2005 9:46 pm
Hey, I'm trying to record my synth. In the manual they told me to set my gain as high as as it shouldbe to gain the best S/N ratio without allowing the over-level indicators to light up, or basically go over peak. I can do this just fine, but the problem is I get alot of feedback in my samples. Well as an MPC owner before the 4000, the simple answer would be to lower your rec gain level, but I'm wondering if that will affect the quality of my keygroup samples in the regards that it will make them seem low and far away? Or should I just record at the highest rec gain level possible and then some how the 4000 filters let me filter the feedback out? By the way I'm sampling from the analog outputs of my Motif into the analog of my 4000 at 24 bits if that helps
And also, when you pro's sample your synths for keygroups, do you sample the same note at different velocities, or do you just sample one note and let the MPC adjust the velocity?
And last, on the original tab in the recording page, I have no clue what I should start sampling my lowest note on the keyboard, which is the low A natural. I would think 117/ A 7? Both manuals give you no clue, unless I missed it.
I've had other MPC's in the past, but sampling synths is completely new to me. Any tips on what notes to sample for an 88 key to retain it's highest possible timbre would also be appreciated. Thanks.
And also, when you pro's sample your synths for keygroups, do you sample the same note at different velocities, or do you just sample one note and let the MPC adjust the velocity?
And last, on the original tab in the recording page, I have no clue what I should start sampling my lowest note on the keyboard, which is the low A natural. I would think 117/ A 7? Both manuals give you no clue, unless I missed it.
I've had other MPC's in the past, but sampling synths is completely new to me. Any tips on what notes to sample for an 88 key to retain it's highest possible timbre would also be appreciated. Thanks.


