Discuss the various methods you use in music production, from compressor settings to equipment type.
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By DSTRUCT Thu Aug 04, 2005 5:14 pm
M.ic P.ro C.rusher wrote:
dstruction wrote:as far as the room i record in a square room


This is not helping you, D. You NEVER wanna record in a square room, the sounds will stack like a MOFO (and if its a cube, thats the ABSOLUTE WORST!) You should try just hanging a blanket in the middle of the room (cutting it in half) and see how much better your preliminary recordings sound, I bet you'll be amped.



thanx for that tip bruh, im moving my lab soon, so ill incorporate that tip at the new location. word up.
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By M.ic P.ro C.rusher Thu Aug 04, 2005 5:18 pm
S'all love for the MA cats. I live in Seattle now, but I ALWAYS rep the 02703. Peep this link for more info:

http://www.samplecraze.com/tutorial.php?xTutorialID=19

Learned more from this site than I though possible, for real.
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By DSTRUCT Thu Aug 04, 2005 5:37 pm
M.ic P.ro C.rusher wrote:S'all love for the MA cats. I live in Seattle now, but I ALWAYS rep the 02703. Peep this link for more info:

http://www.samplecraze.com/tutorial.php?xTutorialID=19

Learned more from this site than I though possible, for real.


02703? i got a show there on the 12th! also, i go to shooting school there and my favorite gun shop is there. hot sh*t
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By DSTRUCT Thu Aug 04, 2005 5:38 pm
thanx for that link to man thats a good one
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By M.ic P.ro C.rusher Thu Aug 04, 2005 5:45 pm
dstruction wrote:02703? i got a show there on the 12th! also, i go to shooting school there and my favorite gun shop is there. hot sh*t


Yo, wheres that show at? I still got peeps back East, I could prolly do some on-line promotion for y'all. Holla back!
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By DSTRUCT Thu Aug 04, 2005 11:42 pm
Jarrods Place




Bi-Polar Inc Presents a Night of Hip Hop

featuring

Bi-Polar Inc
The Henchmen
John Goddi
RIP
and more!

8 bucks

thanx fam i appreciate that

By lo-fi Sat Aug 06, 2005 5:02 am
lo-fi wrote:By the way the Shure SM57 and 58 are technically the same mic, except for the built-in pop shield on the 58; screw it off and you have a 57. The pop shield takes off some of the high-end, hence the difference in sound.

jaem wrote:ummmm....... no its not the same mic....sorry try again

lo-fi wrote:It may not look the same, but technically, _electronically_, it is. Go ahead, screw the top off a 58, tape it next to a 57, record something and see if you can tell the difference in a blind test.

jaem wrote:you're wrong want proof????

http://www.shure.com/microphones/models/sm57.asp
and
http://www.shure.com/microphones/models/sm58.asp

notice the freq response charts they are different, the 58 has more rolloff in the low end becuz its designed as a vocal mic and the 57 is designed as an instrument mic


Sorry dude. You tried twice and even PM-ed me but I'm still right.

Thanks for showing me the frequency plots, but I already said in my first post that there is a difference in sound between these two mics. I just said, the difference in sound is due to the pop shield/grill construction. I said the electronics inside i.e. cartridge design, is the same.

The trick of screwing the bulb off an SM58 is well known among recording and live engineers. You're right, the 57 goes a little lower than the 58; that's mainly because the lack of a grille allows you to exploit the proximity effect further. The 57 also has a little more high end than the 58, because the pop shield on the 58 attenuates the high end it a little. But I said that already.

And look what I found on the Shure site:


Question:

"What are the real reasons an SM58® should be used for vocals, and an SM57 should be used for instruments?"

Solution Database Answer:

It is true the SM57 and SM58® microphones are based on the same cartridge design. The main difference between them is in the grille design. The SM58 was designed for vocal application and it uses a separate grille with a very effective pop filter. The SM57 was designed as an instrument microphone where smaller grille size is preferred. In this application the pop and wind are not usually a concern. The SM57 uses an integral resonator/grille assembly, where the grille is actually a part of the cartridge. These two grille designs place the diaphragm of the microphones in a different acoustical environment. First of all, the distance from the top of the grille to the diaphragm is significantly shorter on the SM57 compared to that of the SM58. This allows for closer sound pickup with even more pronounced proximity effect. Second, a different resonator/grille assembly design of the SM57 is responsible for its slightly higher output above 5 kHz.


And that's exactly what I said. Same electronics, different frequency response due to different grill/pop shield construction. Now sit your a$s down. ;) :)
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By c.toon Sat Aug 06, 2005 7:04 pm
what was this thread about agian?
:twisted:
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By jaem Mon Aug 08, 2005 3:20 pm
lo-fi wrote:
lo-fi wrote:By the way the Shure SM57 and 58 are technically the same mic, except for the built-in pop shield on the 58; screw it off and you have a 57. The pop shield takes off some of the high-end, hence the difference in sound.

jaem wrote:ummmm....... no its not the same mic....sorry try again

lo-fi wrote:It may not look the same, but technically, _electronically_, it is. Go ahead, screw the top off a 58, tape it next to a 57, record something and see if you can tell the difference in a blind test.

jaem wrote:you're wrong want proof????

http://www.shure.com/microphones/models/sm57.asp
and
http://www.shure.com/microphones/models/sm58.asp

notice the freq response charts they are different, the 58 has more rolloff in the low end becuz its designed as a vocal mic and the 57 is designed as an instrument mic


Sorry dude. You tried twice and even PM-ed me but I'm still right.



And look what I found on the Shure site:


Question:

"What are the real reasons an SM58® should be used for vocals, and an SM57 should be used for instruments?"

The SM57 uses an integral resonator/grille assembly, where the grille is actually a part of the cartridge. These two grille designs place the diaphragm of the microphones in a different acoustical environment.



note this cannot be achieved on a 58 due to the fact the 57's grille assembly is not built into a 58 this creates sonic differences in the hi mids and highs
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By M.ic P.ro C.rusher Mon Aug 08, 2005 5:15 pm
Yo not to take sides ('cause y'all both some arrogant f@cks :wink: ) but I think Jaem is right. You wouldn't say that the 2000 and the 2000xl are the same sequencer, just cause they have the same sampling engines. They do different things, so they're different pieces of equipment. Even if the 2 mics have the same cartdrige, they produce different sounds so they are different mics.

Besides you two shouldn't be arguing, you should be joining forces to battle your common enemy. The world of digitally produced music :shock:
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By jaem Mon Aug 08, 2005 6:07 pm
M.ic P.ro C.rusher wrote:Besides you two shouldn't be arguing, you should be joining forces to battle your common enemy. The world of digitally produced music :shock:



lol

By lo-fi Tue Aug 09, 2005 12:19 am
I posted in reaction to Jaem suggesting to someone who owns a 58 to buy a 57 to record vocals... All nit-picking aside, this suggestion doesn't make much sense to me. So I thought I'd help by pointing out that the difference between these mics is extremely small once you remove the pop shield off the 58. Just trying to help out, save the guy $90,- on a 57.

It's like, the 2000xl and 2000 aren't the same, but you wouln't tell someone who owns a 2000xl to buy a 2000 for it's sound, would you?

I have to say, Jaem's suggestion on the Oktava was spot on.

By drumtrack Tue Aug 09, 2005 11:22 am
First recording session is over. it went quite well. ive used the 58 without the pop shield. It had too much bass but with a little eq it sounds aaiight.
The only problem I have (and had before) with the 58 is that I had to turn the gain on the pre all the way up, cause otherwise the raps were too silent. But now lots of background noise, hiss & cracks came through.. :? (XLR cable running from the 58 straight into the 001 pre)

By lo-fi Wed Aug 10, 2005 3:27 am
Yep. Dynamic mics (like the 57/58) aren't very sensitive compared to condensers, so they need a lot of gain. If you can, try to get a condenser mic. The Oktava mentioned earlier is a good suggestion, or maybe a Rode NT1a. There are many 'budget' chinese built condensers out there that sound much better than they should for the money. You'll be amazed by the difference in sound between a dynamic and a condenser mic.
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By mpc4000xl Wed Aug 10, 2005 6:36 pm
drumtrack wrote:First recording session is over. it went quite well. ive used the 58 without the pop shield. It had too much bass but with a little eq it sounds aaiight.
The only problem I have (and had before) with the 58 is that I had to turn the gain on the pre all the way up, cause otherwise the raps were too silent. But now lots of background noise, hiss & cracks came through.. :? (XLR cable running from the 58 straight into the 001 pre)



Glad IT Went Well 4 ya ........at least for the most PART..................




8) .. 8) .. 8) .. 8)