
By Cheech
Wed Sep 07, 2005 1:38 pm
i get all my samples from vinyl. they might or might not be compressed, but that wasn't the point here. all i said was that i don't use a compressor in my beat making setup. they have a compressor at the studio i go to to record my beats, but i don't even remember what it looks like. i just bring my beats to the studio on a reel or on a minidisk, and we record the whole shyt to a single track (or two tracks if the beat is in stereo, but i mostly do everything in mono). once we have it recorded then it gets ran through a compressor and a limiter and whatever the fck effects and boxes they have there.
but the thing is the kick might have frequencies in it that i DON'T WANT it to have, and that's why i eq it before i sample it!
see i do it like this: i record all my samples to tape first, usually without any eq at this point. i then run the signal from the tape machine to the eq and from there i eq it before going into the mpc. now when i have the sounds in the mpc i apply different attack/decay/filter settings and tune them differently, maybe even layer some with the other. doing it like this i can take one kick from a record and make it into half a dozen kicks that, while still sounding good, don't sound even remotely like the kick in the record.
Beat God wrote:so if u have a kick by itself with no interaction with another instrument u wouldn't need eq cause there wouldn't be any reason to get rid of a competing frequency
but the thing is the kick might have frequencies in it that i DON'T WANT it to have, and that's why i eq it before i sample it!
see i do it like this: i record all my samples to tape first, usually without any eq at this point. i then run the signal from the tape machine to the eq and from there i eq it before going into the mpc. now when i have the sounds in the mpc i apply different attack/decay/filter settings and tune them differently, maybe even layer some with the other. doing it like this i can take one kick from a record and make it into half a dozen kicks that, while still sounding good, don't sound even remotely like the kick in the record.




