By
jimmie
Sat Nov 03, 2007 1:56 am
I do this kind of thing all the time...
One setup for this:
MPC main outs into Kaos pad.
Korg Kaos pad into mixer (if you plug the Kaos pad straight into your MPC record ins then you'll have to mess about unplugging/plugging wires when you decide to record some samples from your turntables).
Mixer outs into MPC record ins left and right.
Go to record in MPC.
Change input to Analogue.
Hit play.
Hit record.
Done.
What I normally do:
MPC main outs to mixer channels 9 and 10.
MPC separate outputs 1 and 2 going into mixer channels 1 and 2.
Mixer channels 1 and 2 have a compressor in the insert path.
Assign my mixer channels 1 and 2 to group channel 1/2.
Group channel 1/2 outputs go into my MPC record ins left and right.
This way, I can hear the main outs AND the separate outs 1 and 2 from the MPC all at the same time, but only the group channel 1/2 is actually being recorded.
If I want to give a bit of bollocks to certain pad sounds through my compressor I assign the outputs of those pads to channels 1 and 2 then go to record, change input to analogue, hit play, then record.
Boom!
This is one of my many routing scenarios. I have kept it very simple just to give you an idea of the routing possibilities.
Mixer: 24 track A&H GS3 with 4 group channels. You don't need such a big mixer if you're only using an MPC and your decks, but you may find your creative flow expands if you get a mixer like the Mackie onyx 1220 which has 12 channels and a separate (alt) mix send output. (Soz to drop a brand name there). This may be overkill for you though? Just givin suggestions. Enjoy