By dtaa pla muk
Thu May 29, 2008 3:36 am
this is a very powerful simult trick that i formerly didn't have enough control over my polyphony to take advantage of:
take 2 pads, A15 and B15
load 2 snares of very different sound
put snare 1 on A15, 2 on B15
go to AMP and set pad B15 to 1-100 (leave A15 at 50-100)
simult A15 to B15
tap A15 lightly. NOTE: only you hear A chime in, but B is very very quiet, probably inaudible even.
tap the pad harder. note: A gets louder, but B gets louder at a faster rate. this is additive layering, and it's very powerful because it gives many, many more "steps" in how different the sound is than mere velocity switching.
however, combine additive switching WITH velocity switching. snag 3 snares from 2 different breaks and arrange them on A and B15 from softest to hardest going up the velocity scale, and you have a VERY expressive snare.
i worked with this a lot over the weekend and liked the results.
take 2 pads, A15 and B15
load 2 snares of very different sound
put snare 1 on A15, 2 on B15
go to AMP and set pad B15 to 1-100 (leave A15 at 50-100)
simult A15 to B15
tap A15 lightly. NOTE: only you hear A chime in, but B is very very quiet, probably inaudible even.
tap the pad harder. note: A gets louder, but B gets louder at a faster rate. this is additive layering, and it's very powerful because it gives many, many more "steps" in how different the sound is than mere velocity switching.
however, combine additive switching WITH velocity switching. snag 3 snares from 2 different breaks and arrange them on A and B15 from softest to hardest going up the velocity scale, and you have a VERY expressive snare.
i worked with this a lot over the weekend and liked the results.






